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Download PDF Their Eyes Were Watching God

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Their Eyes Were Watching God

Their Eyes Were Watching God


Their Eyes Were Watching God


Download PDF Their Eyes Were Watching God

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Their Eyes Were Watching God

Product details

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Audible Audiobook

Listening Length: 6 hours and 44 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: HarperAudio

Audible.com Release Date: December 26, 2004

Whispersync for Voice: Ready

Language: English, English

ASIN: B000C1X8GK

Amazon Best Sellers Rank:

I loved this 1937 novel by Zora Neale Hurston. It make me think of E.L Doctorow's novel, "The March" (2005) about Sherman's march to the sea, which includes many African-American characters including a young woman named Pearl, the product of a union between a white slaveowner and an African-American woman. Hurston's book briefly describes the life of the grandmother of the heroine, Janie Crawford. The grandmother had been raised in slavery and had borne a child to the master of the plantation at the time of Sherman's march. Janie Crawford never knew her mother, but it appears that her fate had been similar. Hurston's characters could have come out of Doctorow's book, and her novel makes a fitting sequel to it, although it predates Doctorow's story by nearly 70 years. The book also made me think of Gershiwn's opera, "Porgy and Bess", which is currently being performed here in Washington, D.C.Hurston tells the story of a young fair-complexioned African-American woman, Janie Crawford, raised by her grandmother in the Deep South. Janie has three husbands in the course of the novel. Her grandmother marries her off at the age of 17 to an older man who owns his own property and is an independent farmer. Janie runs away from him with an ambitious man, Jodie, about ten years her senior who moves to the developing all-black town of Eatonville, Florida and quickly becomes ensconsed as "the Mayor" and as the town's leading citizen. But he and Jamie do not get along and when Jodie dies after 15 years of marriage, Jamie marries a man named Tea Cake, about 15 years her junior. Tea Cake is a rostabout, a free-liver and a gambler. The couple love each other and ultimately settle in the Everglades or "the muck" where Tea Cake picks beans, plays his guitar, flirts, and gambles. The couple make a home. Upon the death of Tea Cake (I won't disclose the circumstances) Janie returns to Eatonville where she tells her story to her best friend, Phoeby. The body of the story is framed by scenes between Phoeby and Janie in Eatonville.This is the bare-bones of a love story and of rural and poor African-Americans trying to make lives for themselves. The book shows the struggles of its characters and their search for independence. It takes the world of rural African-Americans during the 1930s on their own terms and does not judge them or move them into the white world. In other words, it is not a novel of social protest but rather tries to show how in Hurston's view, African-American culture may evolve internally.There are certain proto-feminist themes in Hurston's novel. For example, Janie becomes alienated from her second husband, Jodie, because he pays no attention to her feelings and presumes to speak and act for her, among other reasons. Thus, when Janie is asked to say a few words at a gathering in Eatonville, her husband cuts her off saying "Thank yuh fuh yo' compliments, but mah wife don't know nothin' 'bout no speech-makin'. I never married her for nothin' lak dat. She's uh woman and her place is in de home."But Janie finds fulfillment, in spite of difficulties between them, with Tea Cake, in a life of love, laughter, and sexual chemistry. Tea Cake teaches Janie to play checkers and cards and to shoot a rifle. The couple work, live in their small home, go to the jukes, and gamble. The book is full of the spirit of the blues as Tea Cake and Janie enjoy life and each other. At one point, when an acquaintance criticzes the life of the juke joints, Tea Cake observes "Aw, don't make God look so foolish-findin' fault wid everything He made." There is a basic nonjudgmentalism and openness to different experiences and cultures in Hurston's novel that I found unique and refreshing. There are many ways to a good life, and Hurston has given the reader a picure of such a life in the world of poor African-Americans that may encourage readers to revisit received notions and values. This is a rare quality in a book.The story is told in dialect which adds a great deal to its realim and effect on the reader. There are sentences and passages of deep poetry and feeling. The story shifts between the first and third person as we learn of Janie's awakening, and the scenes with Phoeby frame the book admirably. There is a wondefully drawn portrait of a hurricane and of its effect on the residents of "the muck" which resonated for me in the wake of Katrina.I was taken with this book in its portrait of a people, in the lively characters of Janie and Tea Cake, and in its nonjudgmental yet nuanced portrayal of the characters and their circumstances. This is a first-rate novel.Robin Friedman

My daughter read this for her AP English class and I thought I should read this classic piece of literature as I had never had the opportunity. So I bought it and could not put it down. Months later, I am still thinking about this book, envisioning the cast of characters and events in the novel. Zora Neale Hurston was such a beautiful storyteller. I can see why this book is a classic piece of literature and in my mind, it stand heads above many of the other pieces of literature of have read from this period. I cannot recommend it enough to people.Hurston opens up a space for us to envision life shortly after Emancipation - where African Americans were freed but not free. She illuminates an early Black community (true) and one of the strong women (fictional) in that community. The trials and tribulations of the many characters and the barriers they encountered - the moments of joy, happiness, and pain all grip the reader and help the reader to not only imagine but to feel what it might have felt like to live during this time in the community with the people. A masterful work.

I've set a goal to reread the classics I read when I was way too young to appreciate them. I first read THEIR EYES WERE WATCHING GOD because my older friend, Becky, told me it was "great" when I was about ten. I remember thinking it was a nice story, and that's about it. Coming back to forty years later, I can agree that it's great, but there's so much more here.The most special part of Zora Neale Hurston's writing is that she takes subjects that society wants to segment into "good" or "bad" and makes them human -- thereby making them complicated. Subjects like infidelity, domestic abuse, killing for self-protection, killing as an act of mercy, colorism, white savior complex, poverty, female pride, female submission, moral relativism... You name a tough topic, and Hurston handles it in this book with a deft touch rarely found in today's world.NOW I understand why it's a classic & don't just have to take everyone else's word for it. Definitely worth a read or ten.

Hurston gives a window view into a place that shows a growing or blossoming of a woman's life. It journeys on a three-fold path from Janie's life with her grandma through 3 marriages that unfold new discoveries of Janie as she awakens to the power of her ability to lead herself. Hurston was ahead of her time in the sense that she was already living as one who did not need to fight the battle but had arrived and 'was.'

This is truly a classic and teachable from so many direction you will not be able to stand it. You can run a class for nearly a month discussing the levels, layers, textures, and nuances to the characters and their intentions. There are modes of language, characterization, dialect, motivation, conflict, and desire that can go on forever in a classroom or book club discussion. I fell in love with the woman with so much pain from men, but always willing to feel love. You will be entangled in the world of these people so quickly you will not believe it. I suggest you download the audible version so you can take in the dynamics of Ruby Dee reading Hurston's beautiful language.

This must be very nearly a perfect novel, a short classic like Old Man and the Sea, Great Gatsby, Catcher in the Rye, Huckleberry Finn, with its own unique style and identity.... The racy black vernacular drives the story along while the voice of the narrator achieves levels of poetic intensity approaching myth... I found it gripping almost to the point of unputdownable from the first sentence...

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